Film poster for “MOP!” (Sunken Lane)
Exhibition RESIDUE for Rodić Davidson Architects
In this ongoing series, I translate music into drawings. Each drawing records impressions of live music made at gigs with a ball-point pen, which I later scan and invert on Photoshop. The descriptions record the musicians, venue and date.
I was inspired by Pauline Oliveros’ definition of aphorisms - “(the ear tells the eye where to look)” - to relate gesturally to sound, and note the collective attunement these musicians carve into space.
These drawings are made through an iterative process of casting dust - shaved charcoal, plaster, graphite powder, silver and studio debris - onto a glued surface. I work from a combination of photographs and memory to evoke the sensation of being immersed in a forest. Each piece is titled according to the soundscapes of songs they inspire - see below.
All my tree drawings are available through Woolff Gallery. Please click here for more info.
SOLD Clearing, shaved charcoal, 81 x 44 cm
Greens, silver thread and pigment, 81 x 62 cm
It's Between (Me n U), charcoal, silver and graphite, 81 x 62 cm
Footprints, charcoal, 81 x 44 cm
SOLD Telallás, charcoal, graphite powder, flour, pigment,113 x 76 cm
Elaenia, charcoal, graphite powder, flour, pigment, 113 x 76 cm
Establishment figures at leisure contemplate magnified images of the human genome under a microscope.
Bloody hell Alan, stop fishing for compliments
Fire is one thing you’ll never rule over, Queenie
The only way to make a man stare at a dandelion
Back to the fluture
